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Letters usually exist in the second dimension. In this workshop we explored how they can become objects, sculptures, and material experiments. Focusing on the letter E, I investigated how the transition between regular, slanted, and italic typefaces can be experienced physically.
Through a system of movable wooden joints, the letter can shift along two vertical and three horizontal axes. The tight connections allows the E to stand independently in its different typographic positions, making changes in type style tangible and spatial.
Through a system of movable wooden joints, the letter can shift along two vertical and three horizontal axes. The tight connections allows the E to stand independently in its different typographic positions, making changes in type style tangible and spatial.
«How can a Typeface become tangible?»
E – 3D LetterECAL
Workshopweek with BIG GAME / Augustin Scott de Martinville
Workshopweek with BIG GAME / Augustin Scott de Martinville
Focus ︎︎︎typedesign, 2D-3D, workshop, woodmaking
2025
Focus ︎︎︎typedesign, 2D-3D, workshop, woodmaking
«How can material be reinterpreted?»
Letters usually exist in the second dimension. In this workshop we explored how they can become objects, sculptures, and material experiments. Focusing on the letter E, I investigated how the transition between regular, slanted, and italic typefaces can be experienced physically.
Through a system of movable wooden joints, the letter can shift along two vertical and three horizontal axes. The tight connections allows the E to stand independently in its different typographic positions, making changes in type style tangible and spatial.
Through a system of movable wooden joints, the letter can shift along two vertical and three horizontal axes. The tight connections allows the E to stand independently in its different typographic positions, making changes in type style tangible and spatial.